Bunt mas i inne pisma socjologiczne. Front Cover. José Ortega y Gasset. Państwowe Wydawnictwo Naukowe, – pages. Title, Bunt mas. Author, José Ortega y Gasset. Translated by, Piotr Niklewicz. Publisher, Muza, ISBN, , Length, pages. Title, Bunt mas. Author, José Ortega y Gasset. Publisher, Muza, ISBN, , Length, pages. Export Citation, BiBTeX.
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Zarys hermeneutyki filozoficznej [Truth and method. Traditional art, loaded with humanising elements, had been depleted, heavy, pathetic and serious. Enter the email address you signed up with and we’ll email you a reset link.
José Ortega y Gasset
Iberian Philosophy in European Philosophy. The end of traditional art irrevocably closed a certain chapter in the history of human artistic activity, but it also opened completely new horizons.
Both thinkers observed and analysed the same phenomena in the arts, but their interpretations of the new art ultimately proved different. Contemporary artists broke away from the art of the past because tasset new type of viewer had appeared.
The authors refer to the basic works of these philosophers on aesthetics and the philosophy of art, among them Truth and method, The relevance of orteba beautiful, and The dehumanisation of art.
An outline of philosophical hermeneutics] B. What is more, aesthetics is not a separate field of knowledge, gqsset is incorporated in the sphere of hermeneutics. Contact with new art has become special time, but also time that the viewer spends on his own. Festival of Art or Crisis of Art? At the same time, it fled from pathos, seriousness, missionary zeal and transcendence.
This breakthrough concerned the emergence of new forms and new content in artistic presentations, as well as the traditional understanding of the role of art, the relative positions of artist and viewer, and the status of works of art.
Similarities and differences are pointed out in their assessments of the situation of contemporary art, its nature and function. Through it, we can expand human consciousness and develop 22 Ibid.
The Revolt of the Masses. Credit offered by NewDay Ltd, over 18s only, subject to status. Request removal from index.
Therefore, the Spanish philosopher proposes a system wherein the basic or “radical” reality is “my life” the first yowhich consists of “I” the second yo and “my circumstance” mi circunstancia. This tradition had created, in his opinion, a community of mutual understanding and agreement, associated with intelligibility and openness transmitted by the content of the art, 1 constructing a common myth that rendered the truth embodied in the works easily accessible.
Secondly, the aesthetic object that was its creation had the capacity to deform true reality. The role of not only the modern audience, but also the entire set of critics and aestheticians, is to respond creatively to the challenges art poses us. The new art, in his view, was antipopular by definition: Jose Ortega y Gasset wywodzil sie z rodziny mieszczanskiej o liberalnych tradycjach, studiowal prawo i filozofie.
The crisis consists of a progressive, increasingly profound lack of understanding of art, artists, and works of art, which, by ceasing to be comprehensible, lose their vital human significance.
What ended irrevocably was the art of the past. The History of a ConceptWilliam B.
José Ortega y Gasset – Wikipedia
Gadamer, Prawda i metoda. Thus, the Spanish philosopher is close to the postmodern recognition of art as a free-and-easy intertextual game. We accept fate and within it we choose one destiny. This article has no associated abstract.
It also indicates the specific temporality of the experience of art: Art invites us, in his view, to join an intellectual game of exploring dehumanised forms, beneath the surface of which there is no longer any room for the truth about the real world.
Bunt mas i inne pisma socjologiczne
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Therefore, Ortega y Gasset wrote of two arts, radically different from each other, causing the rift between past and present to become enormous. Civitas 5 5 However, it is necessary to make an effort to benefit from what art offers. Click here to sign up. Science Logic and Mathematics. Contemporary art is no longer a continuation of the tradition.
Get to Know Us. This led Ortega y Gasset to pronounce his famous maxim ” Yo soy yo y mi circunstancia ” “I am I and my circumstance” Meditaciones del Quijote which he always put at the core of his philosophy. The meaning of a work may be revealed if an effort is made to discover it.
Ortega y Gasset’s influence was considerable, not only because many sympathized with his philosophical writings, but also because those writings did not require that the reader be well-versed in technical philosophy.